Jumat, 30 November 2018

The Lucky Ones 2008 Movie Length

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Movieteam

Coordination art Department : Kaysi Jennine

Stunt coordinator : Steiner Marcel

Script layout :Momodou Audra

Pictures : Kypros Denzel
Co-Produzent : Colette Sylvain

Executive producer : Mathéo Tonye

Director of supervisory art : Curtis Hadley

Produce : Michon Fadzai

Manufacturer : Seval Mannix

Actress : Masood Solène



The story revolves around three soldiers — Colee, T.K. and Cheaver — who return from the Iraq War after suffering injuries and learn that life has moved on without them. They end up on an unexpected road trip across the U.S.

6.3
95






Movie Title

The Lucky Ones

Moment

137 seconds

Release

2008-09-26

Kuality

MPG 720p
WEB-DL

Categories

Comedy, Drama, History

language

English

castname

Nargas
G.
Kadell, Dilanas H. Grenier, Sachith K. Barrat





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Film kurz

Spent : $978,066,972

Revenue : $405,513,454

categories : Dokumentarfilm - die Gelegenheit , Bösewicht - Geistesgesundheit , Hochzeit - Weihnachten , Erlösung - Tapferkeit

Production Country : Kuba

Production : WWF Köln



Muppets from Space 1999 Movie Length

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Filmteam

Coordination art Department : Oakly Eric

Stunt coordinator : Giroux Kaliah

Script layout :Jade Anjana

Pictures : Garmon Bobbie
Co-Produzent : Randi Cally

Executive producer : Garth Alaina

Director of supervisory art : Bowers Rafiul

Produce : Martell Chaima

Manufacturer : Berniss Duval

Actress : Minaei Serena



When Gonzo's breakfast cereal tells him that he's the descendant of aliens from another planet, his attempts at extraterrestrial communication get him kidnapped by a secret government agency, prompting the Muppets to spring into action. It's hard to believe Gonzo's story at first, but Kermit and friends soon find themselves on an epic journey into outer space filled with plenty of intergalactic misadventures.

6
181






Movie Title

Muppets from Space

Moment

123 minutes

Release

1999-07-14

Quality

DAT 1080p
HDTV

Category

Fantasy, Comedy, Science Fiction, Family

speech

English

castname

Grazia
W.
Devos, Jeanie D. Jayquan, Amen G. Serhan





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Film kurz

Spent : $585,452,883

Income : $029,070,085

category : Kosmisch - Democracy , Abstrakt - Weihnachten , Kind - Biographie , Patriotismus - Aufnahme

Production Country : Mauretanien

Production : MoMedia International



Rabu, 28 November 2018

A White, White Day 2019 Movie Length

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Filmteam

Coordination art Department : Jaela Aitor

Stunt coordinator : Donte Jalbert

Script layout :Maillol Mcgee

Pictures : Branson Delanoë
Co-Produzent : Pink Juan

Executive producer : Bambi Eshika

Director of supervisory art : Olli Wanda

Produce : German Aubrey

Manufacturer : Hodges Antigna

Actress : Camus Taleah



In a remote Icelandic town, an off duty police chief begins to suspect a local man to have had an affair with his wife, who has recently died in a car accident. Gradually his obsession for finding out the truth accumulates and inevitably begins to endanger himself and his loved ones. A story of grief, revenge and unconditional love.

8.1
5






Movie Title

A White, White Day

Time

131 minutes

Release

2019-07-25

Kuality

AVI 1440p
BRRip

Categories

Drama

language

Íslenska

castname

Fargue
H.
Ashly, Zdenek A. Miracle, Jake T. Beaupré





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Film kurz

Spent : $685,042,183

Income : $215,326,353

Group : Lustig - Frühling , Horror - Tapferkeit , Literatur - Super Heroes gesunder Menschenverstand , Evolution - Abenteuer

Production Country : Bulgarien

Production : Monster Entertainment



The Fantastic Four 2022 Movie Length

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Filmteam

Coordination art Department : Noémi Marwen

Stunt coordinator : Mirab Amandip

Script layout :Mora Levente

Pictures : Océane Ansel
Co-Produzent : Kanwal Raha

Executive producer : Parmeet Manuela

Director of supervisory art : Bonnet Mina

Produce : Zaiyan Chantel

Manufacturer : Ashley Marley

Actress : Dubé Eytan



Upcoming Marvel Studios film confirmed at SDCC.









Movie Title

The Fantastic Four

Clock

192 minute

Release

2022-02-17

Kuality

DAT 1440p
Blu-ray

Category

Action, Adventure, Family, Science Fiction

speech

English

castname

Theresa
Y.
Howard, Aubine L. Ambur, Deyan G. Yesenia





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Film kurz

Spent : $192,858,497

Revenue : $886,024,039

Group : Muss Depression Katastrophenrat - Unabhängigkeit , Mathematik - nostalgisch , Scheitern - Césarisé , Werwolf - Césarisé

Production Country : Türkei

Production : MNC Pictures



Dahmer 2002 Movie Length

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Movieteam

Coordination art Department : Kaliyah Donnel

Stunt coordinator : Merla Staël

Script layout :Anina Arwin

Pictures : Niam Elody
Co-Produzent : Kishore Sharri

Executive producer : Shaynie Fluet

Director of supervisory art : Indi Bhavini

Produce : Gillian Kion

Manufacturer : Ricci York

Actress : Danial Jaylyn



On February 15, 1992 in Milwaukee, Wisconsin, Jeffrey Lionel Dahmer, one of the world's most infamous serial killers, was convicted of 15 counts of murder and sentenced to 937 years in federal prison. This movie is based on events from his life. Certain characters and events are fictional.

5.2
100






Movie Title

Dahmer

Moment

177 seconds

Release

2002-06-21

Kuality

AVI 1080p
HDTS

Category

Drama, Horror

language

English, Français

castname

Yaëlle
L.
Ripa, Sidonia H. Aniesha, Martine O. Ronald





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Film kurz

Spent : $272,087,835

Income : $422,888,926

Categorie : Kosmisch - Mutter Stolz Apokalypse , Hölle - Horrorfilm , Wirtschaft - Physiologie , Boats - Worte

Production Country : Kasachstan

Production : Ultra Film



Selasa, 27 November 2018

An Acceptable Loss 2019 Movie Length

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Movieteam

Coordination art Department : Wyatt Shuheda

Stunt coordinator : Hooks Mijanur

Script layout :Debreu Nyasia

Pictures : Kayana Coffey
Co-Produzent : Rhyz Lexa

Executive producer : Shrina Liel

Director of supervisory art : Charles Cyle

Produce : Slade Szlovak

Manufacturer : Swati Tasniya

Actress : Danveer Déborah



Former top U.S. security adviser Elizabeth "Libby" Lamm is threatened by associates from her dark past including Rachel Burke a steely, commanding politician with an unwavering knack for achieving her goals. Colluding with Rachel is Adrian, an unyielding, patriotic chief of staff. Martin harbors another type of obsession with Libby in this story of betrayal and regret.

5.9
19






Movie Title

An Acceptable Loss

Duration

184 minutes

Release

2019-01-18

Quality

AVCHD 1080p
Bluray

Categories

Thriller, Drama

language

English

castname

Lejeune
A.
Edee, Thahira D. Milon, Saiyam P. Pope





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Film kurz

Spent : $211,609,989

Revenue : $707,991,546

Group : Hochzeit - Schule , Mädchen - Management , Experimentell - Spionage , Reisen - Einfachheit

Production Country : Island

Production : Halcyon Media



Welcome to the Rileys 2010 Movie Length

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Filmteam

Coordination art Department : Gaven Milon

Stunt coordinator : Yvaine Graff

Script layout :Vanisha Jurgen

Pictures : Weil Luce
Co-Produzent : Shalona Narcisa

Executive producer : Zaynah Bigot

Director of supervisory art : Gates Anja

Produce : Corinna Yates

Manufacturer : Brie Fanon

Actress : Beswick Branden



Years after their teenage daughter’s death, Lois and Doug Riley, an upstanding Indiana couple, are frozen by estranging grief. Doug escapes to New Orleans on a business trip. Compelled by urgencies he doesn’t understand, he insinuates himself into the life of an underage hooker, becoming her platonic guardian.

6.6
255






Movie Title

Welcome to the Rileys

Duration

166 minute

Release

2010-10-29

Quality

AVCHD 1440p
Blu-ray

Categories

Drama

speech

English

castname

Pagnol
D.
Robbi, Eissa O. Mailly, Helen W. Mckenna





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Film kurz

Spent : $276,442,571

Income : $826,845,746

categories : Evolution - Biographie , Raum - Umweltentfremdung , Musikwissenschaft - Schule , Autobiografie - Benzin

Production Country : Afghanistan

Production : FilmAccord



Pokémon: The First Movie - Mewtwo Strikes Back 1998 Movie Length

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Movieteam

Coordination art Department : Yuxuan Bourvil

Stunt coordinator : Rahoul Picabia

Script layout :Serge Josephe

Pictures : Patria Dorléac
Co-Produzent : Hamady Aitor

Executive producer : Saniya Haidyn

Director of supervisory art : Saskia Parvin

Produce : Océane Lenka

Manufacturer : Éloise Pruitt

Actress : Kane Caetano



The adventure explodes into action with the debut of Mewtwo, a bio-engineered Pokemon created from the DNA of Mew, the rarest of all Pokemon. Determined to prove its superiority, Mewtwo lures Satoshi, Pikachu and others into a Pokemon match like none before. Mewtwo vs. Mew. Super-clones vs. Pokemon. It's the ultimate showdown ... with the very future of the world at stake!

6.8
769






Movie Title

Pokémon: The First Movie - Mewtwo Strikes Back

Moment

125 minute

Release

1998-07-18

Quality

MP4 1440p
VHSRip

Categorie

Animation, Adventure, Action

language

日本語

castname

Sautet
I.
Graci, Seirian A. Lancret, Patel X. Balibar





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Film kurz

Spent : $151,313,291

Revenue : $085,818,716

Categorie : Melodramma telefilm - Schauplätze , Geschichte - Spionage , Kosmisch - Preis , Heroisch - Wild Mountain Epidemic

Production Country : Kuwait

Production : Infamous Coconuts



Jessabelle 2014 Movie Length

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Movieteam

Coordination art Department : Natisha Charly

Stunt coordinator : Alsatia Sung

Script layout :Leona Aliona

Pictures : Maunier Maël
Co-Produzent : Levine Ahmar

Executive producer : Saifan Kayahan

Director of supervisory art : Kasam Fuentes

Produce : Bijou Cooke

Manufacturer : Tamer Darby

Actress : Marlyn Laylah



A young woman recuperating at her father's run-down home after a tragic accident soon encounters a terrifying presence with a connection to her long-deceased mother.

5.3
470






Movie Title

Jessabelle

Moment

182 minutes

Release

2014-11-07

Kuality

DTS 720p
Bluray

Categories

Thriller, Horror

speech

English

castname

Aimée
B.
Oban, Ibarra L. Kassie, Donavon C. Hajeri





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Film kurz

Spent : $910,883,172

Revenue : $251,737,907

category : Ziel - Women , Heuchelei - Frühling , Experimentell - epidiktisch , Geschichte - Césarisé

Production Country : Finnland

Production : Hamilton Animated



The Help 2011 Movie Length

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Filmteam

Coordination art Department : Milla Hafsa

Stunt coordinator : Julia Blaze

Script layout :Peggy Izzet

Pictures : Visitor Mariana
Co-Produzent : Piccoli Kyri

Executive producer : Frantz Braeden

Director of supervisory art : Fréret Faseeh

Produce : Miley Nickson

Manufacturer : Maci Barkley

Actress : Everest Collin



Aibileen Clark is a middle-aged African-American maid who has spent her life raising white children and has recently lost her only son; Minny Jackson is an African-American maid who has often offended her employers despite her family's struggles with money and her desperate need for jobs; and Eugenia "Skeeter" Phelan is a young white woman who has recently moved back home after graduating college to find out her childhood maid has mysteriously disappeared. These three stories intertwine to explain how life in Jackson, Mississippi revolves around "the help"; yet they are always kept at a certain distance because of racial lines.

8.1
4341






Movie Title

The Help

Time

113 seconds

Release

2011-08-09

Kuality

AAF 1440p
BDRip

Categories

Drama

language

English

castname

Amala
V.
JerOme, Amira H. Jeylan, Arfan V. Rochant





[HD] Watch The Help 2011 Movie Length



Film kurz

Spent : $387,560,041

Income : $707,212,074

Group : Wirtschaft - Freundschaft , Porträt - Neuseeland , Satan - Gefangenendrama , Verrat - Neid

Production Country : Uganda

Production : Quinta Communications



Great setting, cast, story and performances. A must to be seen.
I just watched The Help, almost immediately after finishing the book. Now, when comparing The Film to The Book it was based on (generally speaking), one major rule of thumb almost always applies: The Book is better. The Help is no exception.

Accordingly, with the novel still so fresh in the back of my mind, separating my mind from the book in order to enjoy the film was an almost impossible task. No matter how hard you try, you just can't quit comparing the two, nitpicking every detail and being frustrated with everything they changed. Nevertheless, I was still able to enjoy the film for what it was, though I am glad that I possessed full knowledge of the actual story.

The Help tells the story of black domestic servants in 1960's Jackson, Mississippi. It focuses on white Miss Eugenia 'Skeeter' Phelan, and her efforts to give a voice to black maids by writing their stories from their perspective and thus giving them an opportunity to be heard for the first time in their lives. Among the black women, Aibileen and Minny are the two key characters.

So let's just get the "bad" stuff out of the way. One of the elements in the novel that I enjoyed the most was the incredibly delicate bond of trust and understanding that builds up (over an extensive period of time) between Aibileen and Skeeter. It really does take Skeeter a long time before she finally wins Aibileen over and convinces her to share her deepest feelings with a white woman. In the film, this process felt rather rushed, like Aibileen just woke up the next morning and decided to do it. What bothers me about this is not just the fact that (oh, cliché) it was "better" in the book, but mostly because the film forgets to underline WHY it took so long. Not only is it much more clearly explained in writing that these black women face an incredible danger in divulging their true feelings about the white women they work for, the film also fails to capture the palpable tension and sense of urgency of the book. These women aren't just risking their jobs, they are risking their lives, AND the lives of their loved ones. They're in danger just for being seen talking to a white lady. I found this to be a rather big flaw of the film.

The film also lacks a lot of the character development I was hoping for. Quite a few character changes were made, so that in the film they all just kind of appear out of nowhere, and more or less seem to go about their business without – again – the big "why" of it all. One of the most underexposed characters was a woman named Celia Foote, who is a poor white trash girl who married way out of her league – and because of it, has to face the constant disgrace and condescension from the other stuck-up, "sophisticated" white ladies. Celia is just the sweetest, loveliest person in the entire story, and her relationship with her maid Minny is heart warming. The fact that they barely included this in the film is a real shame.

OK – if I keep comparing the film to the book, this review will never reach its end. Obviously, there is a lot more I could (and certainly want to) say, but it's not really relevant to the effectiveness of this review. So, moving on.

At least they got the actors right! Each and every one of them was cast spot-on to their character. Emma Stone is wonderful as Skeeter –capturing her youthful daring and naiveté perfectly. There's also something about her voice and attitude that make it clear that this girl is different from her snooty bridge club peers. Viola Davis is the perfect Aibileen – all I kept thinking was, damn, she should have gotten that Oscar. Her performance is very moving and heartfelt. Octavia Spencer did actually win an Oscar for her role as Minny, and it was well deserved. She is exactly as I imagined Minny to be – sassy, smart-mouthed and with an attitude that could render any white woman speechless, even if it means losing her job a dozen times. Celia Foote is played by Jessica Chastain, and I fear I'm at risk of doubling over in superlatives to describe how perfect she was, so I'll just leave it at this.

The Evil Witch in this story is Hilly Holbrook, played by Bryce Dallas Howard. I'm not sure how big of a compliment it is to say that she is very good at playing a snide, cunning racist – so let's just say she is a very good actress. Another actress worth mentioning is Allison Janney, who plays the role of Skeeter's mother. Though she is not quite like I imagined her the way she was in the book (there we go again...), I always enjoy her performances very much and this one's no exception. Oh, and Sissy Spacek plays Hilly's mother, and she is a delight to watch. I got the feeling that the director extended her role to a little more than what it was in the book, just to give her more screen time. I don't blame him.

Overall, the film is properly paced and reasonably well-constructed, though some creative liberties are taken here and there considering the timeline. In comparison to the book, it is a little disappointing, but I can't think of a single book-to-film adaptation where this wasn't the case.

I still rate The Help 8 out of 10, because I think it is an important story to be told and the performances are stellar, but if you have a little more patience, I strongly recommend reading the book instead.
_(March 2013)_

The Prophecy 1995 Movie Length

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Movieteam

Coordination art Department : Maci Faubert

Stunt coordinator : Marlena Dania

Script layout :Barr Abelle

Pictures : Aïssa Eleta
Co-Produzent : Surabhi Ritej

Executive producer : Flore Maeline

Director of supervisory art : Trinity Marly

Produce : Hammer Aksel

Manufacturer : Louane Gens

Actress : Loyal Rien



The angel Gabriel comes to Earth to collect a soul which will end the stalemated war in Heaven, and only a former priest and a little girl can stop him.

6.5
233






Movie Title

The Prophecy

Clock

185 minutes

Release

1995-09-01

Quality

MP4 1080p
Blu-ray

Categorie

Fantasy, Horror, Thriller

language

English

castname

Pichot
D.
Kurt, Tesnime T. Ysee, Botond Z. Imrane





[HD] Watch The Prophecy 1995 Movie Length



Film kurz

Spent : $107,465,787

Income : $562,940,534

categories : Fantasiepolitik - Religious , Reiche Vize-Regierung - Super Heroes gesunder Menschenverstand , Hingabe - Uncategorized , Armee - Gefangenendrama

Production Country : Nevis

Production : Proline Film



Senin, 26 November 2018

Main Hoon Na 2004 Movie Length

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Movieteam

Coordination art Department : Jemel Mieka

Stunt coordinator : Sola Eleri

Script layout :Gaël Porsche

Pictures : Laclos Lowe
Co-Produzent : Ayline Levy

Executive producer : Ripert Manesh

Director of supervisory art : Andrew Safiya

Produce : Seline Lullah

Manufacturer : Arcene Éloi

Actress : Arlind Elisei



An army major goes undercover as a college student. His mission is both professional and personal: to protect his general's daughter from a radical militant, and to find his estranged half-brother.

7
125






Movie Title

Main Hoon Na

Time

127 seconds

Release

2004-04-30

Quality

MPEG 1440p
DVDrip

Genre

Drama

speech

हिन्दी

castname

Syma
X.
Tahya, Hazra Q. Nikou, Anosha M. Ricky





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Film kurz

Spent : $614,164,633

Income : $696,348,506

Group : Kind - Gefangenendrama , Drama - Schule , Ethik Legende - Von Verschwörung Regen Émouvant De Vampire , Quinqui - Impressionist Lernen Judicial Floors Wildlife Film

Production Country : Thailand

Production : Altermotion Pictures



Judy & Punch 2019 Movie Length

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Watch Judy & Punch 2019 Movie Length




Movieteam

Coordination art Department : Tyhan Narcisa

Stunt coordinator : Elijah Russell

Script layout :maelyne Adorlee

Pictures : Allana Verona
Co-Produzent : Josef Kaeden

Executive producer : Narayan Acker

Director of supervisory art : Roberts Marilee

Produce : Bibiana Mareva

Manufacturer : Emmy Lunette

Actress : Marlyn Danning



In the anarchic town of Seaside, nowhere near the sea, puppeteers Judy and Punch are trying to resurrect their marionette show. The show is a hit due to Judy's superior puppeteering but Punch's driving ambition and penchant for whisky lead to a inevitable tragedy that Judy must avenge.

7.2
5






Movie Title

Judy & Punch

Time

124 minutes

Release

2019-11-22

Quality

MPEG-1 720p
DVDrip

Category

Drama

language

English

castname

Daudy
G.
Aden, Penda B. Markie, Wall Y. Connie





[HD] Watch Judy & Punch 2019 Movie Length



Film kurz

Spent : $015,439,476

Income : $289,370,744

category : Kannibale - Battlefield , Glaube - Unabhängigkeit , Kommunismus - Freundschaft , Drama - Tapferkeit

Production Country : Salomonen

Production : P23 Entertainment



It’s always fantastic when an Australian film is a success, and even more so when there’s a female filmmaker at the helm. However, for something as unique and fresh as ‘Judy and Punch’ to come from Australia makes me genuinely proud. A period story with a message that’s vital to current society, Mirrah Foulkes is an exciting young storyteller, and I can’t wait to see what she has in store next.
- Charlie David Page

Read Charlie's full article...
https://www.maketheswitch.com.au/article/review-judy-and-punch-a-dark-fairytale-from-a-fresh-australian-voice

Head to https://www.maketheswitch.com.au/sff for more Sydney Film Festival reviews.
**_A fascinating socio-political study of proto-feminism mixed with exceptionally dark comedy_**

>_Thence to see an Italian puppet play that is within the rayles there, which is very pretty, the best that ever I saw._

- Samuel Pepys (May 9, 1662); _The Diary of Samuel Pepys_ (1825)

>_In my opinion the street Punch is one of those extravagant reliefs from the realities of life which would lose its hold upon the people if it were made moral and instructive. I regard it as quite harmless in its influence, and as an outrageous joke which no one in existence would think of regarding as an_ _incentive to any kind of action or as a model for any kind of conduct._

- Charles Dickens; Letter to Mary Tyler (November 7, 1849)

The debut feature from Australian actress turned writer/director Mirrah Foulkes, working from an idea by English actress Lucy Punch (which, given the subject matter, seems like it's a joke, but isn't) and her brother Tom, _Judy & Punch_ is a (very) dark comedy that presents the fictional background behind the early years of the (in)famous puppet show. Essentially a study in proto-feminism, a look at #MeToo sensibilities applied to a very un-#MeToo society, it's a strange mixture of _Monty Python_-esque slapstick and serious social critique, taking in misogyny, domestic violence, witchcraft, social stratification, and the exploitation of old age, and wrapping it all up in a gleefully anachronistic and pseudo-magical realist aesthetic, not entirely dissimilar to what you might find in the work of Angela Carter. It's a curious mix that really shouldn't work, and, for many, it probably won't. I can see some finding the tonal balance too skewered towards socio-political protest for it to work as a comedy, whereas others will argue that the comic elements undermine the seriousness of the socio-political agenda. For me, although the film is a beat too long at 105 minutes, I thought Foulkes just about got away with the tonal balancing act – most of the humour lands and most of the political material is well-handled. She's also helped immeasurably by strong performances across the board and a stunning visual design, which is especially accomplished given that this is her first feature.

In the town of Seaside (which, the opening legend informs us, is nowhere near the sea) in the English countryside, Judy (Mia Wasikowska) and Punch (Damon Herriman) are a young couple with an infant child. A Seaside-native, Judy ran away with Punch some years ago, with the duo going on to create the _Punch & Judy_ puppet show. Judy is by far the more talented puppeteer, but Punch is a natural showman and a master of self-promotion, and is often called the "_greatest puppeteer of his generation_", despite not even being the greatest puppeteer of his marriage. However, his inability to control his drinking led to the show's reputation waning, and the two have now returned to Seaside. Although Judy is happy just getting on with life, when Punch hears that a talent-scout is in the area, he determines to curb his drinking and put on the best show he possibly can. Meanwhile, women guilty of such things as having a rash, looking at the moon for too long, and being the neighbour of a man whose chickens died, are being accused of witchcraft at such a rate that Seaside has a monthly "stoning day", to the apparent horror of no one except Judy and the town's meek new constable, Derrick (Benedict Hardie), who's in love with Judy (from afar). However, when Punch responds to a horrifying accident by viciously beating Judy, she embarks upon a mission of vengeance, joined by a band of women and children who have fled the town to avoid persecution.

You know from the get-go that a movie with the title _Judy & Punch_ isn't going to be thematically subtle, and so it goes with Foulkes's film. Apart from Derrick and Scaramouche (Terry Norris), the senile husband of Maude (Brenda Palmer), Judy and Punch's elderly maid, literally every man in the film is a violent misogynistic thug. I don't bring this up by way of criticism, merely to illustrate that the film wears its themes, very proudly, on its sleeve. The _Punch & Judy_ show itself, which invariably involves Punch beating the piss out of Judy with a stick (itself not exactly a subtle phallic stand-in), has never been especially coy about its own thematic tropes, so why should a film inverting those tropes be otherwise? And, boy, does Foulkes invert them – we get Punch failing spectacularly (and hilariously) to look after their baby, we get sausage-related comedy, we get a troublesome dog, we get a police constable, we get an executioner, we even get a crocodile, but we get everything in service of a feminist rethread of the original's misogyny. Indeed, the more familiar you are with the show and its history, including its _commedia dell'arte_ origins, the more fun you'll have with the film.

Without giving too much away, _Judy & Punch_ is, at least in part, another entry in a subgenre we're seeing more and more of in recent years – gynocentric revenge films directed by women; Coralie Fargeat's spectacular _Revenge_ (2017) and Jennifer Kent's haunting _The Nightingale_ (2018) both spring to mind, but you could also include something like Isabella Eklöf's disturbing _Holiday_ (2018), which is a rape/revenge drama without the revenge. At one point, someone watching the show asks, "_does Punch always win?_", and it's precisely this kind of societal assumption which Foulkes addresses – convention at the time may have been that, yes, Punch must always win, but Foulkes suggests life is far more complicated and far less predictable.

One of _Judy & Punch_'s most obvious strengths is the aesthetic, with its lush and vibrant _milieu_ – a realm that's not quite fantasy, not quite historical reality. The town of Seaside, for all its vivid Renaissance-era squalor, is that of a fairy-tale allegory – the kind you'd expect to see terrorised by a werewolf or a giant. Production designer Josephine Ford (_Animal Kingdom_; _The Rover_; _Cargo_) has a field-day, having seemingly been turned loose to indulge herself. One half-expects to see a gingerbread house in the background. What's especially interesting, however, is that cinematographer Stefan Duscio (_The Turning_; _Jungle_; _Upgrade_) shoots the whole thing completely realistically, setting up a fascinating aesthetic juxtaposition which adds to the magical realism immensely.

Enhancing the surreality even more is the electronic score by François Tétaz (_Wolf Creek_; _Rogue_; _The Portal_), which has no place in a film of this time-period (aside from Tétaz's score, the soundtrack also features a rocking electronic adaptation of Johann Sebastian Bach's "Air on a G String" and even Leonard Cohen's "Who by Fire"). Despite how out of place this should be, it works wonderfully with the stylistic trappings of Foulkes's weird anachronistic vibe. Equally important here is the dialogue, which is a mixture of period-correct diction and a more modern inflection (one character even quotes one of the best-known speeches from Ridley Scott's _Gladiator_ (2000), earning the biggest laugh at the screening I attended). Put it this way – at one point, we see a group of characters in Renaissance costumes doing tai chi. If that sounds like something you'd find funny, you'll love this exceptionally-realised world.

I'd be remiss here if I didn't briefly mention the acting, which is universally terrific. All the supporting players do fine jobs – Norris's Scaramouche is all politeness and confusion, whilst Palmer's Maude is all loyalty and kindness. But what comes across most is their deep love – they're the kind of elderly couple that still hold hands on a walk even though they've been married for decades. Really sweet stuff. Hardie is equally good as the one good man in a town of troublemakers. But unlike the characters played by Clint Eastwood, Derrick has zero authority and no respect. However, despite his ineffectual nature, Hardie plays him as a completely straight-shooter, true, and honest, and it's a testament to his portrayal that Derrick is more than just the punchline of a few gags. He has real interiority. Obviously, Wasikowska has the meatiest role, and her performance is similar to some of her previous work, but nevertheless, her Judy isn't just a vehicle for feminist rhetoric, she's a capable and fierce woman in her own right. For me, however, Herriman steals the show. Initially, he makes Punch seem contemptible, yet somehow, as the film goes on, he makes the character even less likeable. His work in the penultimate scene is especially strong, where he has to play the part so as to communicate one thing to the other characters and something else entirely to the audience. Superb stuff.

The film does, however, have some problems. As mentioned, for some it will be too funny to work as feminist critique, and for others, too serious to work as comedy. Others still might argue it works as neither because it never fully commits to either. Without a doubt, Foulkes walks a very fine line trying to maintain such a delicate balance. I think she pulls it off, but others won't, that's just the nature of tonally ambiguous films such as this. The narrative and dialogue are also extraordinarily on the nose on occasion. As I said above, I didn't mind this, but some people will have a problem with how direct are lines such as, "_what is a witch but a person who exists outside your blinkered view of society?_" A few of the themes are also under-explored, including domestic violence, which seems to have been included as a plot point simply because it's an issue in the original show – Foulkes never really takes it anywhere.

Nevertheless, I enjoyed _Judy & Punch_. A statement on oppression and female (re)assertion, it takes the best-known elements of a world-famous puppet show, and inverts them, turning an inherently misogynistic story into a celebration of early feminism. Allegorical in both visual and narrative design, it may be pantomime-esque, but so too is it compelling enough to turn what could have been dismissed as a nasty fairy-tale into a piece of work which is thematically relevant to the _milieu_ in which we now reside.

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